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介紹西安的英文導(dǎo)游詞（通用18篇）
作為一位杰出的導(dǎo)游，可能需要進行導(dǎo)游詞編寫工作，導(dǎo)游詞事實上是一種對旅游景點進行歷史的、文化的、審美的解讀的文體。那么導(dǎo)游詞應(yīng)該怎么寫呢？下面是小編為大家整理的介紹西安的英文導(dǎo)游詞，僅供參考，大家一起來看看吧。
介紹西安的英文導(dǎo)游詞 1
Inside the fourth courtyard, there is a structure called the Phoenix Pavilion, a place where worshipers wait for services. The pavilion, in fact, is a complex of three small buildings. The six-gabled structure in the central part is adjoined by two three-gabled buildings on each side which make it look like a flying phoenix; hence its name. Just at the back of the pavilion there is a fish pond, and beyond it is a platform with an area of 700 square meters. Acrothe platform stands the 1,300-square-meter prayer hall. It holds over 1,000 worshipers at a time. The ceiling is decorated with over 600 panels. The walls of the hall, as well as the panels, are decorated with patterns of trailing plants and Arabic letters. The shrine at the western end of the hall is where the imam and worshipers chant the Koran and pay homage while facing in the direction of Mecca.
The Moslems in China share much the same customs with their brothers and sisters elsewhere in the world. They worship five times a day: at dawn, at noon, in the afternoon, at dusk, and at night.
The Constitution of China acknowledges that each citizen has the right freedom of religion, and that each ethnic group has the freedom to preserve or reform its own customs. Of course, the Moslems in China enjoy equal rights with other ethnic groups, and their religious beliefs and customs are respected everywhere in the country.
Huaqing Pool is situated about 35 kilometres east of the city of Xian. Historically, the Western Zhou dynasty saw the construction of the Li Palace on the spot. In the Qin dynasty a pool was built with stones, and was given the name Lishan Tang (the Lishan Hot Spring). The site was extended into a palace in the Han dynasty, and renamed the Li Palace (the Resort Palace). In the Tang dynasty, Li Shimin (Emperor Tai Zong) ordered to construct the Hot Spring Palace, and Emperor Xuan Zong had a walled palace built around Lishan Mountain in the year of 747. It was known as the Huaqing Palace. It also had the name Huaqing Pool on account of its location on the hot springs.
The Tang dynasty Emperor Xuan Zong and his favourite lady, Yang Gui Fei used to make their home at Frost Drifting Hall in winter days. When winter came, snowflakes were floating in the air, and everything in sight was white. However, they came into thaw immediately in front of the hall. It owed a great deal to the luke warm vapour rising out of the hot spring. This is the Frost Drifting Hall that greets us today.
介紹西安的英文導(dǎo)游詞 2
Situated at the northern foot of Mt. Lishan in Lintong County, 30 kilometers (18.6 miles) from Xian City, Huaqing Hot Spring is famed for both its dainty spring scenery and the romantic love story of Emperor Xuanzong (685-762) and his concubine Yang Guifei in the Tang Dynasty (618-907). Its long history and location among the wonderful landscapes of Xian should entice any visitor to visit and bathe in this hot spring.
It is said that King You built a palace here during the Western Zhou Dynasty (11th century BC-711 BC). Additions were subsequently made by the First Emperor Qing (259 BC-210BC) and Emperor Wu during the Western Han Dynasty (206 BC-24). During his reign, the Emperor Xuanzong spent dizzying amounts of his funds to build a luxurious palace, changing its name to Huaqing Hot Spring or Huaqing Palace. Over the course of 41 years in his days, he visited the palace as many as 36 times. The palace thus has a history of 3,000 years and the hotspring a history of 6,000 years! Ranked among the Hundred Famous Gardens in China, it also has the status as a National Cultural Relic Protection Unit and a National Key Scenic Area.
A Visit to the Huaqing Hot Spring
Entering the gate which bears the inscription Huaqing Chi (Huaqing Hot Spring) by Guo Moruo, a noted literary in China, visitors are greeted by two towering cedars. By continuing inward passing two symmetrical palace-style plunge baths and turning right, you will see the Nine-Dragon Lake. Despite the fact that the lake is artificial with an area of 5,300 square meters (6339 square yards), it constitutes one of the main enchanting sceneries in the Huaqing Palace. You will see lotus floating on the water and emitting sweet fragrance, and a white marble statue of Yang Guifei - recognised as one of the four most beautiful women in ancient China - stands tall by the lake like a shy and appealing fairy. Mirrored in the lake you will see a surrounding complex of constructions interspersed with willows and rocks, including Frost Flying Hall (Feishuang Hall) in the north, Yichun Hall and Chenxiang Hall respectively in the east and west as well as Nine Bend Corridor and Dragon Marble Boat. The magnificent Frost Flying Hall used to be the bedroom of Emperor Xuanzong and Yang Guifei, with red supporting pillars and fine-patterned carving. Living in a place so full of spice must have made the inhabitants invigorated and pleased.
Walking southwards through Dragon Marble Boat and several pavilions, you will find the Site of Imperial Pool, which is the only one of its kind to be discovered in China. The five remaining pools are the Lotus Pool, Haitang Pool, Shangshi Pool, Star Pool and Prince Pool. The lotus-like Lotus Pool was made for the Emperors bath, the Haitang Pool resembling a Chinese Crabapple was intended for concubines, and the Shangshi Pool was designated for officials. It is said that the former Star Pool had no roof and nothing to cover its four sides. There, must have been possible to truly experience the eternal beauty of Yang Guifei.
Huan Garden is the former garden of the Huaqing Palace. There lie the Lotus Pavilion, Viewing Lake Tower (Wanghu Lou), Flying Rainbow Bridge (Feihong Qiao), Flying Glow Hall (Feixia Ge), and Five-Room Hall (Wujian Ting). In popular legend, the Flying Glow Hall was once the place where Yang Guifei would overlook the scenery and cool down her long hair. The Five-Room Hall was built in the late Qing Dynasty (1644-1911). It was the shelter of Empress Dowager Cixi after the Eight-Power Allied Force captured Peking in 1900, and was also the temporary residence of Chiang Kai-shek, the leader of the Chinese Nationalist Party during the world-famous Xian Incidence in 1936. The Huan Garden also features a large-scale mural carrying the inscription Yang Guifei Was Summoned to Serve the Emperor in Huaqing Hot Spring. Composed of 90 white marbles, the mural is 9.15 meters (30 feet) long and 3.6 meters (11.8 feet) high. Depicting the scene of the feast in which Emperor Xuanzong summoned Yang Guifei, it reflects the prosperity of the Tang Dynasty. Odes of Huaqing Hot Spring are also witnesses of past politics, economy and art.
By visiting the Huaqing Hot Spring, you will not only enjoy the scenery, but also taste the joy of imagining yourself back in the days of the Tang Dynasty.
介紹西安的英文導(dǎo)游詞 3
Today we will visit the city wall, the bell tower and the drum tower. Its my pleasure to serve you.
The ancient castle we now see is the Ming xi an city wall, which was built on the foundation of the imperial city of tangan in the early Ming dynasty. It is one of the most famous cities in the late middle ages of China, and it is the largest and most complete defense facility of ancient military castles in the world.
Xi an, as the ancient capital of the millennium, has built the wall many times in the past. Most of them are buried by the dust of history. The walls we see now go back to the sui dynasty. In 1369, the Ming dynasty moved xu da from shanxi to shaanxi, and changed the original fengtian road to xi an, meaning "western lasting peace and stability". It was the prelude to the construction of the wall in xi an. The eight - year - old wall shape is a rectangle. The wall is 15 meters high, 12 to 14 meters wide, 16 to 18 meters wide and 13.9 kilometers in circumference. The bottom layer is mixed with lime and glutinous rice juice. After drying, it is exceptionally strong.
The ancient city wall of xi an includes a series of military installations including moat, suspension bridge, gate building, archery building, zhenglou, tower, enemy building, parapet and crenel. Well, now lets feel the scientific, rigorous and complete military defense system in person.
The periphery of the wall is the moat, also known as the moat, which is the first line of defense of the wall. It can block an enemys attack, or even take advantage of the terrain to destroy the enemy. The moat around the city wall of xi an is 20 meters wide, and the gate is crossed over the moat, and the only access to the moat and the gate is the drawbridge. At ordinary times, the soldiers in the city of the city listened to the commander of the morning bell, lowered the drawbridge in the morning and opened the city gates. Hoist the bridge at night and cut off traffic. Once a war has occurred, the drawbridge rises, the gates are closed, and the gates become fortified and enclosed fighting fortresses.
The city gate is the focal point of the city defense system, also is the weak spot. At ordinary times, it is a passageway to and from the city. In war, it is also the primary goal of defending the two sides. Therefore, the Ming dynasty attached great importance to improving the city gate defense facilities. One of the most notable technological breakthroughs is the use of the arch gate to prevent enemy fire. Ming xian city gate is very solid, door leaf with 16 cm thick boards, a fan gate 2.8 cubic meters with wood, door leaf horizontal turn up and down the iron bar reinforcement, the interval of each two bars, 180 iron needle mushrooms nails. There are 1,800 iron mushroom needles on the door. This compels the wood of the door, increasing the rigidity of the door, so that the arrow cant be shot in.
In order to improve the insurance coefficient of the city gate defense, the gate is actually made up of three parts, namely, gate building, archway and main building. The gate tower is the most outside, its function is the lift suspension bridge. Its used to make more. The enemy entered the gate of the gate, as if entering the urn, and would be attacked from all sides, so this space downstairs is also called "wengcheng". The archery is in the middle, with Windows on both sides, for archery. The wall between the archery and the archery is also called "weng city", which can be tunneled. The building is the main building of the city gate, which is the main building of the city. On the outside of the wall, there is an enemy stand outside the main body, commonly known as the "horse face", every 120 meters. There are 98 horses on the whole wall, the building on the horses face is called the enemy building, and the two towers are 120 meters apart, and the other side is 60 meters, which is "a stones throw away". This layout makes it easy to shoot the enemy from the side. Therefore, the ancients commented, "there is a city without a platform, and without a city, it is a city, so the guard is there, and so is the city." On the outside of the wall there are short pheasants, also known as "battlements", with crenel and square holes for archery and lookout. The inside wall, called the parapet, is designed to prevent soldiers from falling into the wall while they walk. At the four corners of xi an city, there is a tower called the "turret". In the city of weng, which is formed in the archery and the building, there is a horse road leading to the head, which is convenient for the horse and the horse. During the war, this is the key point for the mobilization of troops, and must be kept clear. So the guards are extremely strict.
As the years change, now we can see changle of xi an city wall gate, AnDingMen, rosefinch door, including door, jade auspicious door light, etc., the origin of these names from one side also reflects the ancient city of ups and downs failure. The city wall of Ming xian shows the wisdom and wisdom of the ancient working people in China. Well, the city wall of xi an is here, and we will continue to take you to the bell tower.
Bell tower and drum tower are the unique buildings of ancient Chinese cities. Bells and drums were the earliest percussion instruments in China, with a history of more than 3,000 years. Originally as a ritual instrument and musical instrument. Since the spring and autumn period, it has been used for military command. The ancient Chinese cities had the nature of military castles. Besides the city walls, excavating the moat and setting up the suspension bridge, they also built the bell tower in the center of the city as the command center. At ordinary times, with the morning clock, the time of the report, the time to open and close the suspension bridge, the emergency condition is used to alert the police, command the city defense. This rigorous urban defense system reached its peak in the Ming dynasty. Xi an is a military and political town in the northwest of the Ming dynasty. Its bell tower and drum tower are the most similar buildings in the country, regardless of its size, historical value or artistic value.
What we see now is the bell tower, the building is located in xi an, north and south, east and west four street interchange, it was built in Ming seventeen years, the original is located in the west street meet auspicious view, with the shift in the centre of the city, in the Ming wanli decade, god will tower to a whole demolition, moved to address today.
The bell tower is typical of the Ming dynasty architectural style, the building is 36 meters high, the heavy eaves and arch, magnificent and solemn. It consists of a base, a building and a roof. The base is square, all made of blue bricks. The building, as a square wooden structure, is surrounded by a cloister, which is a two-story building with wooden ladders circling overhead. Inside and below the building inside two floors square hall, display the Ming dynasty since the Ming dynasty all kinds of precious porcelain and red nanmu furniture, all around the door is full of relief painting, the style is simple and vivid. The top of the building is a four-corner structure, covered with a green glazed tile, the top of the dome is 5 meters high, glittering and brilliant.
On the northwest corner of the bell tower is a Ming dynasty iron bell, weighing 5 tons. It is much smaller than the bronze bell that hung from the clock tower. The clock tower, which was originally hung, was a "jingyun bell" cast during the tang dynasty. Now the clock is in xi an stele forest. It is said that, although the style of the tower has not changed since it was moved to the present site, the jingyun bell is not going to sound. There is no alternative but to change. In order to move the jingyun clock to the new clock tower, an inclined bridge was built on the west side of the west street, and the jingyun clock was transported to the bell tower using the ramp. It is said that the "bridge" also got its name.
On the west wall of the clock tower, there are "bell tower song" and "bell tower" inscription. "Zhong Lou ge" is the shaanxi governor who built the bell tower in the same year. In the poem, the bell tower was praised enthusiastically. "The bell tower" is the governor of the bell tower, detailed description of the clock tower. On the door of the bell tower, there are 64 stories of carved wooden relief, including magnolia from the army, the moon and the moon, the book of liu yi, the sea of eight, and so on. After the founding of the Peoples Republic of China, the peoples government of xi an made three major repairs to the clock tower, which restored the ancient architecture to its former glory.
Compared with the bell tower, it is the drum tower. The entrance of the building is south to north, north to north gate and south west street. The drum tower was built in Ming for 13 years, and the bell tower is the sister building. On the north side of the drum tower, there is a huge drum, and the morning bell on the bell tower is known as the drum tower. The building is rectangular, with a height and width of 6 meters and a depth of 38 meters. The drum tower is a heavy eaves, glazed tile roof, heavy eaves and three drops of water. The building is divided into two layers. Under the eaves of the north and south, there was a plaque, which was written by emperor qianlong of the qing dynasty: "wenwu shengdi", which was written by li yunkuan, a scholar in xianning county. The outer eaves of the drum tower are decorated with dougong. Paint on the ceiling painted cloud patterns, antique, very beautiful. The bell and drum tower meet, making the ancient city of xi an more beautiful and spectacular. Well, this is the end of the bell tower tour. Thank you!
介紹西安的英文導(dǎo)游詞 4
Located on the side of the wild goose pagoda in the ancient capital Xian, Tang Furong garden is the first large-scale royal garden style cultural theme park in China to display the style and features of the prosperous Tang Dynasty in an all-round way. As early as in history, Furong garden is a famous royal garden. Todays Tang Furong garden is built on the original Tang Furong garden site. It is set against the background of "going into history, experiencing humanity and experiencing life", showing the splendid civilization of the Tang Dynasty.
The landscape of the park is divided into 12 cultural theme areas, from the emperor, poetry, folk, food, women, tea culture, religion, science and technology, diplomacy, imperial examination, song and dance, gate characteristics and other aspects to reproduce the brilliant civilization of the Tang Dynasty. There are pavilions, carved beams and painted buildings in the garden, including Ziyun building, ladies hall, royal banquet palace, Fanglin garden, Fengming Jiutian theater, Xingyuan, Luyu tea house, Tang city and many other scenic spots. Every day, there are various wonderful performances in the scenic spots of the park, including Qitian drum dance, "Jiaofang music and dance" palace performance, "Yanying nishang" costume performance, Shaolin martial arts performance, lion dance, stilt, acrobatics and so on. The worlds largest water screen movie, which is staged every night, integrates music fountain, laser, flame, mine and water mist, bringing tourists a three-dimensional feeling of shock.
The theme of the park is to perform a large-scale dream poem and dance drama "dream back to the Tang Dynasty", which is grand and fantastic. It was once invited to perform in Singapore, and was warmly received and highly praised by Singapore president Nathan, Lee Hsien Loong and Cabinet Minister Lee Kuan Yew. Every holiday, there are all kinds of theme activities to bring you 365 days of surprise and joy. With its unique charm and unparalleled historical status, Tang Furong garden has become a cultural ancestral garden for Chinese people to seek their roots and pursue their dreams and a spiritual home to relive the prosperous times. It will take you to the only cultural journey of the prosperous Tang Dynasty in China.
Datang Furong garden is located in Qujiang New District of Xian city. It covers an area of 1000 mu, including 300 mu of water surface with a total investment of 1.3 billion yuan. It is the largest cultural theme park in Northwest China. It was built to the north of the original Tang Furong garden site. It is the first large-scale royal garden style cultural theme park in China to show the style of the prosperous Tang Dynasty in an all-round way. Including Ziyun building, ladies hall, royal banquet palace, Fanglin garden, Fengming Jiutian theater, Xingyuan, Luyu tea house, Tang City, Qujiang Liuyin and many other attractions. Datang Furong garden has set many records, has the largest waterscape performance in the world, is the first "five senses" (i.e. vision, hearing, smell, touch and taste) theme park, has the largest outdoor fragrance project in the world, and is the largest imitation Tang royal building complex in China, integrating Chinese garden and architectural art.
As early as in history, Furong garden is a famous royal garden. In 583 A.D., Emperor Wen of Sui dynasty built "Furong garden" here. Todays Tang Furong garden is built on the original Tang Furong garden site, with a total construction area of nearly 100000 square meters, including pavilions, platforms, buildings, pavilions, pavilions, bridges and corridors. The landscape of the park is divided into 12 cultural theme areas, from the emperor, poetry, folk, food, women, tea culture, religion, science and technology, diplomacy, imperial examination, song and dance, gate characteristics and other aspects to reproduce the brilliant civilization of the Tang Dynasty. There are pavilions, carved beams and painted buildings in the garden, including Ziyun building, ladies hall, royal banquet palace, Fanglin garden, Fengming Jiutian theater, Xingyuan, Luyu tea house, Tang city and many other scenic spots.
The Tang style ancient architecture in the garden ranks first in China in terms of architectural scale and is the largest architectural complex in the world. It concentrates all the architectural forms of the Tang Dynasty, which is a complete Tang Dynasty architectural textbook. Tang Furong garden follows the principle that ancient architecture should prolong life, not rejuvenate. The design of building materials adopts the combination of brick and tile concrete structure and wood structure, which not only preserves the original appearance of the buildings in the Tang Dynasty, but also makes the ancient buildings undamaged for a long time.
In addition, Tang Furong garden uses various forms of expression to fully and naturally display the culture of the prosperous Tang Dynasty. We can not only appreciate the sacred and magnificent royal culture, but also see the grand guard of honor of the Tang Dynasty, such as "a hundred emperors tour of Qujiang", as well as the theme activities such as exploring flowers in Apricot Garden, naming the wild goose pagoda, drinking in Qujiang River, and being an official. Entering Furong garden, every building and landscape has charming allusions and legends. During the stroll, the tall classical buildings and sparkling lights are dazzling. It seems that since the moment I stepped into the gate, I have turned the space and time and dreamt back to the Tang Dynasty.
The construction of Tang Furong garden is the epitome of Chinese garden and architectural art, especially the royal garden with the style of prosperous Tang Dynasty, which once attracted the attention of the world. The design and construction of Tang style architecture and landscape design inherit and develop the construction of Chinese classical architecture and garden. With its unique charm and unparalleled historical status, Tang Furong garden has become a cultural ancestral garden for Chinese people to seek their roots and pursue their dreams and a spiritual home to relive the prosperous times. It is known as "the garden of Chinese history, spirit, nature, humanity and art". It symbolizes the great era of the rise of China and is the totem of Chinas prosperity in the new century.
介紹西安的英文導(dǎo)游詞 5
Tang Furong garden is the first Tang culture theme park. The largest water screen film in the world. The largest artificial sculpture community in China. The worlds largest and most advanced water fire landscape show. The longest corridor of Tang culture in China. "Dream back to the Tang Dynasty" large scale song and dance appreciation. The first five senses (vision, hearing, smell, touch and taste) park in China. The worlds largest outdoor fragrance project.
Tang Furong garden is located in Qujiang New District, Southeast of Xian. It was built to the north of the original Tang Furong garden site, with a total investment of 1.3 billion yuan. It covers an area of 1000 mu, including 300 mu of water. It is a large-scale theme museum park with water as the core, integrating experience, sightseeing, leisure, catering and entertainment, and concentrating Tang culture. Zhang Jinqiu, academician of Chinese Academy of engineering, is responsible for overall planning and architectural design, while Akiyama Akiyama, a Japanese landscape architect, is responsible for landscape design. Tang Furong garden aims to build a "garden of history, spirit, nature, humanity and art". In particular, more than ten experts from Tang Literature Society of China, including Tang history, Tang poetry, Tang painting, Tang Jian, doctoral tutors, researchers and tourism experts, are invited to re excavate and reorganize the historical and cultural contents of Tang Furong garden The landscape of the park has been re planned and re positioned, and has been divided into 12 landscape cultural expression areas
1. The cultural theme of Damen: creating the spirit of flourishing age and dreaming back to the Empire of Tang Dynasty. Awe the tourists with grand momentum. You can see the grand scene of the Tang Dynasty. Emperors hometown, dream back to Tang Dynasty. To achieve a theme, a feature, a landscape.
2. The theme of diplomatic culture: the spirit of inclusiveness. It shows the frequent exchange of diplomatic envoys from various countries at that time and the commercial cultural atmosphere of "merchants gathering, internal and external accommodation" among the people. It shows the prosperous scene of "four treasures, all gathered together" in front of the tourists, so that the tourists can personally feel the prosperous era of exchanges between the world and the Tang Empire in the prosperous Tang Dynasty.
3. Tea culture theme: three Lu Yu scriptures, seven Lu Tong tea, meeting friends in the window, savoring Zen tea, laughing at Qu Jiangbo, indifferent and detached. It shows the tea ceremony culture of Tang Dynasty. From the development history of world tea culture, both Japanese tea ceremony and Chinese tea ceremony originated in the Tang Dynasty. "Tea ceremony" began to spread and develop after it was put forward in Tang Dynasty.
介紹西安的英文導(dǎo)游詞 6
When we come to Tang Furong garden, we have to talk about Xian Qujiang tourist resort. Xian Qujiang tourist resort is a provincial tourist resort, which integrates sightseeing, vacation, recreation, business and villa, covering an area of 15.88 square kilometers. The park is rich in scenic resources. Centered on the magnificent Dayan Pagoda and Cien Temple, the built Tang Dynasty Art Museum, Tanghua Hotel and Tang Song and dance hall show the style of Tang Dynasty architecture. The botanical garden, bonsai garden, Chunxiao garden, rose garden and Qingliu garden show the beautiful scenery of Changan garden; International Food City and other tourism facilities provide services and convenience for domestic and foreign tourists in leisure, entertainment and catering. Tang Furong garden is designed by Zhang Jinqiu, academician of Chinese Academy of engineering and famous landscape architect in China, and by Akita Hiro, a world-class master in Japan.
Located in Qujiang New District of Xian City, Datang Furong garden covers an area of 1000 mu, including 300 mu of water surface, with a total investment of 1.3 billion yuan. It is the largest cultural theme park in Northwest China. It was built to the north of the original Tang Furong garden site, and is also the first large royal garden style cultural theme park in China to display the style and features of the prosperous Tang Dynasty. It includes many scenic spots, such as Ziyun building, ladies hall, royal banquet palace, Fanglin garden, Fengming Jiutian theater, Xingyuan, Luyu tea house, Tang City, Qujiang Liuyin, etc. Tang Furong garden has set a number of records in the history of China and even the world: it has the largest waterscape performance in the world, the first "five senses" (namely vision, hearing, smell, touch and taste) theme park, the largest outdoor fragrance project in the world, and the largest imitative Tang royal architectural complex in China, integrating Chinese garden and architectural art.
What are the characteristics of Tang Furong garden? First of all, the park is full of Tang culture. The sculptures and poems in the park are representatives of the prosperous Tang Dynasty, and the copies of Tang cultural relics reflect the characteristics of Tang; The second is the nearly 80000 square meters of Tang style architecture, which is the largest Tang style architecture community in the world. All of them are restored according to the original buildings, and all the architectural forms of Tang Dynasty are concentrated, which is a complete Tang Dynasty architecture textbook. The second is the 60 million yuan Lake fountain, which is also the largest water curtain film in the world; Finally, the performance of Lake Hu square, the dream of the Tang Dynasty, is composed by Zhao Jiping, a famous composer. It is an artistic essence of music, dance, music, poetry and recitation.
In fact, since ancient times, Qujiang has a profound historical landscape cultural background. The history of Qujiang can be traced back to the Qin Dynasty, when there was a famous Li palace named "Yichun Xiayuan". Sima Xiangru, a writer of the Western Han Dynasty, vividly described the natural scenery of Qujiang in his famous piece "Shanglin Fu".
Daxing City, the capital of Sui Dynasty, was built on Qujiang River. Emperor Wen of Sui Dynasty was suspicious and superstitious. Daxing city is high in the southeast and low in the northwest. Fengshui tends to the southeast. The harem is located in the middle of the north side, and it cant surpass the southeast in the terrain. Some people suggest that we should take the method of "weariness of victory" to get rid of it. If Qujiang is dug into a deep pool and separated from the city, it will be enclosed as a royal Forbidden Garden and become a place for emperors to play. In this way, the spirit of the king of the Sui Dynasty will never be threatened. Fortunately, there is a natural form of water circulation in Qujiang River. With a little renovation, it can become a place of beautiful scenery. In 583 ad, Emperor Wen of the Sui Dynasty officially moved to the new capital. When Emperor Wen of the Sui Dynasty moved to the new capital, he felt that "Qu" was unlucky, so he ordered his Prime Minister Gao Xun to change the name of the royal garden. One night, Gao Xun suddenly remembered that the lotus in Qujiang pool was in full bloom and extremely red. The lotus was called Furong, so he renamed Qujiang as "Furong garden". After a transformation in the early Sui Dynasty, Qujiang reappeared as a royal garden on the historical stage, and got a new name -- Furong garden. At the same time, it is closely connected with the capital Daxing city. The downstream of the pool flows into the city, which is one of the sources of water for the southeast of the city. In the era of emperor Yang of Sui Dynasty, Huang Guan carved various water ornaments in Qujiang pool, and the monarchs and ministers enjoyed the Qujiang drink by the Qujiang pool. He introduced the story of literatis Qujiang drinking cup in Wei, Jin, southern and Northern Dynasties into the palace, endowed Qujiang with a kind of humanistic spirit, and laid a foundation for the formation and development of Qujiang culture in Tang Dynasty.
On the basis of Furong garden in Sui Dynasty, the construction scale and cultural connotation of Qujiang garden were expanded in Tang Dynasty. In addition to the reconstruction of ziyunlou, caixiating, liangtang and Penglai mountain in Furong garden, the Yellow canal of large-scale water conservancy project was excavated to expand the water surface of Furong pool and Qujiang pool. It became a place for royal families, monks and civilians to gather and visit. Qujiang Liuyin, Xingyuan Guanyan, Yanta title, Yueyou Denggao and other literary stories about the population in ancient Chinese history all took place here. Qujiang changed greatly in the Tang Dynasty, and became the only public garden in Changan City, the capital of the Tang Dynasty. It reached the most prosperous period in its development history, became the gathering place of Tang culture and the landmark area of Changan, the capital of the Tang Dynasty, and also played the strongest voice of Chinese culture.
"Jiangtou palace locks thousands of doors, for whom is Xiliu Xinpu green?" After the reign of Emperor Taizong of Tang Dynasty, the later dynasties, such as Emperor Gaozong and Emperor Ruizong, began to take great actions here, which laid the foundation for the prosperity of Tang culture. Emperor Xuanzong of Tang Dynasty expanded Qujiang on a large scale, which made it unprecedented and reached the peak of its garden construction. In Furong garden, the imperial Forbidden Garden, Xuanzong built Ziyun building, Caixia Pavilion, Linshui Pavilion, Shuidian, shanlou, Penglai mountain, liangtang and other buildings, and built a Jiacheng, 7960 meters long and 50 meters wide, from Daming Palace through Xingqing palace to Furong garden. After the expansion of Emperor Xuanzong of Tang Dynasty, the Furong garden has many palaces and pavilions. The garden buildings in Qujiang reach the highest level, and all kinds of cultural activities tend to climax. With the destruction of Changan city at the end of Tang Dynasty, all kinds of garden buildings were destroyed, and all kinds of cultural activities were gradually silent, so that some of them finally disappeared and could not be traced. Qujiang, a public garden area where civilians gather to visit, is not only unprecedented in the history of the ancient capital Xian, but also unique in ancient Chinese history.
介紹西安的英文導(dǎo)游詞 7
Located in the southeast of Dayan Pagoda, Tang Furong garden was built on the original Tang Dynasty Royal Furong garden site. Today, it has the largest imitation Tang architecture group in China. Come here to enjoy the magnificent imitation Tang architecture, the beautiful scenery set off by the lights, and the song and dance dream back to the Tang Dynasty with the style of the prosperous Tang Dynasty.
Taking Furong Lake as the geographical center, Tang Furong garden is surrounded by many scenic spots such as ziyunlou, Luyu tea house and Fengming Jiutian theater. The park is further divided into 12 cultural theme areas, which represent the splendid civilization of the Tang Dynasty from the aspects of emperors, poetry, folk, food, singing and dancing.
The night scene in the garden is also very bright. When the night falls and the lights begin to shine, you can see the splendid Tang culture corridor, Fanglin garden, Ziyun building and other places. Against the moonlight and lights, Tang Furong garden is more elegant.
There will also be wonderful performances in the park, including Qitian drum dance, "Jiaofang music and dance" palace performance, "Yanying nishang" costume performance, etc. The worlds largest water screen movie, staged every night in the north square of ziyunlou, will bring you a new three-dimensional shock. And the large-scale dance drama "dream back to the Tang Dynasty" staged in Fengming Jiutian theater is a music and dance performance integrating the style of the prosperous Tang Dynasty and the essence of song and dance. For more performances, please refer to the official website.
To visit Furong garden, it is recommended to enter the garden from the west gate (also known as yuyuanmen). After entering the garden, follow the lakeside path and circle the Furong Lake clockwise to visit various scenic spots. In the evening, I went back to the Fengming Jiutian theater near the south gate to enjoy the dream of the Tang Dynasty. In the evening, I watched the water curtain movie in the ziyunlou square to the north of the theater.
介紹西安的英文導(dǎo)游詞 8
The Big Wild Goose Pagoda大雁塔The Temple of Heaven, literally the Altar of Heaven is a complex of Taoist buildings situated in southeastern urban Beijing, in Xuanwu District. Construction of the complex began in 1420, and was thereafter visited by all subsequent Emperors of the Ming and Qing dynasties. It is regarded as a Taoist temple, although the worship of Heaven, especially by the reigning monarch of the day, pre-dates Taoism.
The Temple grounds covers 2.73 km?？of parkland, and comprises three main groups of constructions, all built according to strict philosophical requirements:
The Earthly Mountis the altar proper. It is an empty platform on three levels of marble stones, where the Emperor prayed for favourable weather;
The House of Heavenly Lord，a single-gabled circular building, built on a single level of marble stone base, where the altars were housed when not in use;
The Hall of Annual Prayer，a magnificent triple-gabled circular building, built on three levels of marble stone base, where the Emperor prayed for good harvests.
In ancient China, the Emperor of China was regarded as the "Son of Heaven"，who administered earthly matters on behalf of, and representing, heavenly authority. To be seen to be showing respect to the source of his authority, in the form of sacrifices to heaven, was extremely important. The temple was built for these ceremonies, mostly comprised of prayers for good harvests.
Each winter solstice the Emperor and all his retinue would move through the city to encamp within the complex, wearing special robes and abstaining from eating meat; there the Emperor would personally pray to Heaven for good harvests. The ceremony had to be perfectly completed; it was widely held that the smallest of mistakes would constitute a bad omen for the whole nation in the coming year.
Inside the Hall of Annual Prayer.The Temple of Heaven is the grandest of the four great temples located in Beijing. The other prominent temples include the Temple of Sun in the east（日壇），the Temple of Earth in the north，and the Temple of Moon in the west（月壇）.
According to Xinhua, in early 2005, the Temple of Heaven underwent a 47 million yuan (5.9 million USD) face-lift in preparation for the 2008 Beijing Summer Olympics and the restoration was completed on May 1st, 2006.
The Temple of Heaven was registered on the UNESCO World Heritage List in 1998.
介紹西安的英文導(dǎo)游詞 9
There are hundreds of ancient city walls in China, among which the ancient city walls of Beijing, Nanjing and Xian are the largest. However, the ancient city walls of Beijing and Nanjing have been demolished or seriously damaged. The ancient city wall of Xian, which was built in 1370 ad, is still intact. When Japan came to Xian for a visit to China, they did not look at the pit of the terracotta warriors, the "eighth wonder of the world", but boarded the west gate tower, which was built more than 600 years ago, to appreciate the majestic appearance of the ancient city wall. Now, please come with me to visit the ancient city wall of Xian.
The origin of the city wall
Dear tourists, we have enjoyed the colorful and simple ancient city wall in the morning or sunset of the car shop these days. Now we come to the foot of the city wall, please walk on the wall tour.
You must want to know what the real meaning of the wall is. The word "city wall" was originally derived from the word "city". According to Shuowen, "Cheng" is the interchangeable word of "Sheng", and "Sheng" is to accept the people, so the original meaning of the word "Cheng" is to encircle the people and form a country, which leads to the meaning of city wall. The "city" of the Great Wall, known as the backbone of the Chinese nation, also means the city wall. But later, with the development of society, the word "city" contains the explanation of todays city.
The word "city" first appeared in the inscriptions of the Zhou Dynasty, which vividly reflected the military use of ancient city walls. The military function of the city wall is to protect the private ownership, and in ideology, the size of the city wall is the strict embodiment of the hierarchical patriarchal system. Obviously, the ruler built the city wall to protect himself and declare the national power. The Xian City Wall we see now is one of the most famous city wall buildings in Chinese history. It took eight years from the third year of Honwu in Ming Dynasty (1370 A.D.) to the eleventh year of Honwu (1378 A.D.). It was built on the basis of the imperial city of Sui and Tang Dynasties. After repair, it basically maintained the complete appearance of feudal city wall architecture, reflecting the outstanding achievements of ancient Chinese city building technology.
Scale, structure and facilities of city wall
Dear tourists, how big is the Xian city wall? What is its structure? According to the calculation, the perimeter of Xian city wall is 11.9 kilometers, including 2590 meters of East city wall, 2631.2 meters of west city wall, 3441.6 meters of south city wall and 3241 meters of north city wall. Such a scale is rare at home and abroad.
You can see a small city with a guard gate outside the four gates of the city wall, which is called the urn city. The so-called urn means that once the enemy enters, he will be attacked from all sides on the wall of the urn, just like a turtle in the urn, unable to escape. Outside the urn, there is also a small city called Yangma city. In ancient times, there was a fixed time for the gate to open and close.
After the gate was closed, people who had not yet returned to the city could go to Yangma city and the park around the city with their own sheep and horses to rest and wait for the gate to open before entering the city. The Yangma city in Xian was completely destroyed in the late Qing Dynasty. I remember that in 1986, about 17.5 meters outside the north gate of Wengcheng, Andingmen (West Gate) of Xian City, the north gate of yangmacheng was found, 5.5 meters long and 2.4 meters wide. Now you can see the restored Yangma city on the outside of the South Gate urn. The wall is 198 meters long and 9.5 meters high.
Outside the moat, there were four rammed earth cities named Guocheng, which arched the four gates. According to "Xian Fu Zhi" volume nine records: Tang Tianyou years, Han construction Dongguo town and Xiguo town. Song, Jin and Yuan Dynasties are all de to this. During the Honwu Period of Ming Dynasty, most of Dongguo small cities were wrapped up in big cities, and those left outside were called Dongguo new city. Xiguo town in the late Ming Dynasty. At present, only part of the wall of Siguan Guocheng remains, and Guomen only has its name on the place name.
Now we come to the northeast of Xian City, which used to be the royal city of the Ming and Qin Dynasties. In the early Ming Dynasty, Zhu Yuanjin appointed his second son as the king of Qin and ordered him to stay in Xian to strengthen his control over the northwest.
The whole city is divided into two walls. The outer city wall is called Xiao wall, which is made of soil. The inner city wall is called brick wall because it is built with green bricks outside. After the Ming Dynasty, Xiaoqiang was destroyed. During the reign of Emperor Yongzheng of Qing Dynasty, temples were built in Xian, and most of the buildings in the palace of King Qin were demolished, and the brick city was changed into the Eight Banners church. At present, there are only a few remnant parts of ramming Earth City in the brick city of Qin Wangfu.
When Xian city was built in Ming Dynasty, there were four gates: "Changle", "Yongning", "anding" and "Anyuan". The name of the gate is engraved on the blue stone gate outside the gate. The building built on the gate of the big city is called the city tower, also called the main tower, which is the command post of the commander guarding the city. The building built on the gate hole of Wengcheng is called Jianlou, because there are arrow windows on the wall of the building, which was used for shooting arrows at that time.
In the Republic of China, four gates were opened, commonly known as Xiaosi gate: Zhongshan Gate (Xiaodong gate), which was built at the east end of Dongxin Street to commemorate Sun Yat Sen; Wumu gate (Xiaonan gate), which is at the south end of Sifu street today; Yuxiang gate (Xiaoxi gate), which is at the west end of Lianhu Road, was demolished after liberation; Jiefang gate (small North Gate), formerly known as Zhongzheng gate, was built at the north end of Jiefang Road when Longhai Road was opened to Xian. In 1952, it was demolished because of the expansion of the railway station. After liberation, Xian also opened up new city gates, including Jianguo gate, Heping gate, Wenchang gate, Zhuque gate and Hanguang gate. The north wall has Shangde gate. The east wall has Chaoyang Gate.
Most tourists know that there were 98 enemy towers on the walls of Xian in the Ming Dynasty. However, in 1982, the Xian city wall management office found that none of the ancient enemy towers were left, and only some of them still had foundation stones. After that, Xian rebuilt 12 enemy towers, which were brick and wood structures, with two stories of double eaves and two corridors on the ground floor.
The ancient city wall facilities not only built the enemy tower and arrow tower to prepare for martial arts, but also built the Kuixing tower to sacrifice Kuixing, the God who dominated the cultural movement. Kuixing tower in Xian was built in the east of the South Gate Tower, which was destroyed by the fire. Later, Kuixing building was rebuilt on the original site, which is worth seeing.
介紹西安的英文導(dǎo)游詞 10
Today plete defense facility of ancient military castles in the shanxi to shaanxi, and changed the original fengtian road to xi an, meaning "eters in circumference. The bottom layer is mixed plete military defense system in person.
The periphery of the mander of the morning bell, loe fortified and enclosed fighting fortresses.
The city gate is the focal point of the city defense system, also is the the city. In s nails. There are 1,800 iron mushroom needles on the door. This compels the all sides, so this space domonly kno the side. Therefore, the ancients commented, "there is a city falling into the one side also reflects the ancient city of ups and do and of the ancient mand. The ancient Chinese cities had the nature of military castles. Besides the city mand center. At ordinary times, mand the city defense. This rigorous urban defense system reached its peak in the Ming dynasty. Xi an is a military and political toe is 5 meters high, glittering and brilliant.
On the north the clock to the army, the moon and the moon, the book of liu yi, the sea of eight, and so on. After the founding of the Peoples Republic of China, the peoples government of xi an made three major repairs to the clock topared e to the Bell Toe a monk. When he ascended the throne, he eone of “real dragon”. Therefore, he gave orders to build bell toplete and the best preserved city eters from the east to eters from the north to south. And the total length is 13.7 kilometers. It stands 12 meters high, 12-14 meters the main either side. This allo Wongcheng, there are also horse passages leading to the top of the wall. There are altogether eleven horse passages around the city.
A watch tower is located on each of the four corners of the wall. The one at the southwestern corner is round, probably after the model of the imperial city wall of the Tang dynasty. But the other three are square and are higher and larger than the sentry building on the ramparts. This shows the strategic importance of the corners of the city wall.
All right, we have finished visiting the famous city wall of Xi’an. Thank you.
介紹西安的英文導(dǎo)游詞 11
Welcome to the ancient city of Xian. Im your tour guide. My family name is Xu. Please call me director Xu. The first scenic spot to visit today is the terracotta warriors and horses, one of the world heritage sites. The scenic spot is located in Lintong, Xian. Our bus also goes to Lintong. The journey is about 40 minutes. I want to mention Lintong in Xian. You must think of the unparalleled toilet of Qin soldiers in the world. OK, we have arrived at Qin Shihuang mausoleum now. Please get off in order.
Do you know the origin of the terracotta warriors and horses of the Qin Dynasty? In the previous dynasties, emperors were buried with living people when they died. Later, in the Qin Dynasty, a minister said to Qin Shihuang, "in the previous dynasties, living people were buried with them. I dont think its proper for you to do this. Let the craftsmen build a clay army. How about your invincible army? "Qin Shihuang thought this idea was very good, so he agreed. In fact, if it had not been for the nod of Qin Shihuang at that time, we would not have seen the magnificent Terracotta Army today. The terra cotta warriors and horses are of great scale. At present, three terracotta pits have been excavated, covering a total area of nearly 20000 square meters, about the size of 50 basketball courts. There are about 8000 terracotta warriors and horses in the pits.
Now we come to the No.1 pit, which is also the largest of the three pits. It is 230 meters long from east to west and 62 meters wide from north to south, with a total area of 14260 square meters. You can see that the total area of the three pits is more than half! Since the area is so large, the number is also very large, there are more than 6000. A huge arched hall has been built on the top of pit No.1. We can go into the hall and enjoy it carefully. We should also pay attention to safety when touring.
Please see, the figure with big body, hat, armor, sword and high head is the general figurine. Some of them are self-confident and have bright eyes. At first glance, they know that they are experienced in the battlefield and shoulder heavy responsibilities. Some of them are nodding and thinking, as if they are thinking about defeating the enemy if they fight. Its full of generals. Then look at the warriors. They are all strong and strong. They are wearing war robes and armor, and their feet are on the front of their boots. It seems that they are waiting for the bugle. Then we continue to look at the terracotta cavalry figures.
We can see that they are wearing short armor, tight trousers, boots, rein in the right hand and bow and arrow in the left hand. It seems that they are ready to mount at any time. During the war, there must be a group of good horses. Looking ahead, the pottery horses are the same size as the real horses, and they are strong. That eager to try, if you give an order, you will spread your hooves, soar into the air and jump on the journey. Whether they are generals, warriors or cavalry, they all seem to be making up their minds to fight for the unification of the Qin state.
Even Tao Ma seems to be planning to be loyal to his country. When he walks into it, he seems to feel the breath of love The terracotta warriors and horses of Qin Dynasty are unique in the history of sculpture at all times. It vividly reproduced the grand momentum of the Qin army with millions of soldiers and thousands of chariots, and vividly demonstrated the powerful power and heroic spirit of the Chinese nation.
Dear tourists, time flies. Todays journey of Qin Bing and Ma Neng has come to an end. Now we are ready to leave for our hotel!
介紹西安的英文導(dǎo)游詞 12
Welcome to Xian. It is an ancient civilized city with a long history. In ancient times, more than ten dynasties including Zhou, Qin, Sui and Tang established their capitals here. Its prosperity has been more than 1100 years. It can be said that Xian is an important birthplace of the Chinese nation and Chinese civilization.
There are 72 mausoleums of ancient emperors around Xian. There are more than 700 ancient buildings (big wild goose pagoda, small wild goose pagoda, terracotta warriors and horses of Qin Shihuang, bell tower, ancient city wall, etc.), as well as Famen Temple in Baoji, Huashan Mountain in Xiyue, Huaqing pool, etc. At the same time, it is also the shooting place of many large-scale TV and movies, such as the front-end hot spots of "that year the moon was full" and "White Deer Plain".
The beauty of Xian is more than that. I hope you can experience it yourself.
When it comes to Xian food, its mouth watering. As a native of Shaanxi and a responsible tour guide, Id like to introduce you to the special food of Xian, Shaanxi.
1、 Mutton bubble bun, saw a bowl of thick and authentic mutton soup out, floating on a layer of transparent mutton oil. A basket of pancakes and a few sugar garlic become authentic Shaanxi flavor.
2、 Rougamo, in Xian, almost every staple food is made of wheat flour. Rougamo, a thick pancake, is cut into two halves evenly, and stewed pork is the most simple and delicious food. Oil noodles, thorn stem noodles, hollow noodles, Qishan whistle noodles, millet porridge all kinds of. Shaanxi people are looking for the true taste in simplicity.
Oh, lets all get off when we get to the wild geese. Please get off one by one in order. Dont be crowded. When you get off the bus, take the garbage bags with you. Dont litter. Pay attention to protecting the environment and be a civilized outsider with social morality. Thank you!
The beauty of Xian is endless. I hope you can enjoy it!
介紹西安的英文導(dǎo)游詞 13
Huaqing Pool is situated about 35 kilometres east of the city of Xi’an. Historically, the Western Zhou dynasty saw the construction of the Li Palace on the spot. In the Qin dynasty a pool was built with stones, and was given the name Lishan Tang (the Lishan Hot Spring). The site was extended into a palace in the Han dynasty, and renamed the Li Palace (the Resort Palace). In the Tang dynasty, Li Shimin (Emperor Tai Zong) ordered to construct the Hot Spring Palace, and Emperor Xuan Zong had a walled palace built around Lishan Mountain in the year of 747. It was known as the Huaqing Palace. It also had the name Huaqing Pool on account of its location on the hot springs.
Huaqing Pool is located at the foot of the Lishan Mountain, a branch range of the Qinling Ranges, and stands 1,256 metres high. It is covered with pines and cypresses, looking very much like a like a dark green galloping horse from a long distance. So it has the name of the Lishan Mountain (Li means a black horse).
The Tang dynasty Emperor Xuan Zong and his favourite lady, Yang Gui Fei used to make their home at Frost Drifting Hall in winter days. When winter came, snowflakes were floating in the air, and everything in sight was white. However, they came into thaw immediately in front of the hall. It owed a great deal to the luke warm vapour rising out of the hot spring. This is the Frost Drifting Hall that greets us today.
Close by the Frost Drifting Hall lies the Nine Dragon Pool. According to legend, the Central Shaanxi Plain was once stricken by a severe drought in the very remote past. Thus, by the order of the Jade Emperor (the Supreme Deity of Heaven), an old dragon came at the head of eight young ones, and made rain here. Yet when the disaster was just abating, they lowered their guard so much that it became serious again. In a fit of anger, the Jade Emperor kept the young dragons under the Jade Cause Way (玉堤), with the Morning Glow Pavilion and the Sunset Pavilion built at both ends of it respectively, to make the young dragons spout cleat water all day long to meet the needs of local irrigation. Besides, he had the old dragon confined to the bottom of the Roaring Dragon Waterside Pavilion situated at the upper end of the Jade Causeway, and obliged him to exercise control over the young.
The Nine-Bend Corridor west of the Nine Dragon Pool leads directly to the Marble Boat, which resembles a dragon boat on the water surface. In the Marble Boat lies the Nine Dragon Tang (the Nine Dragon Hot Spring where Emperor Xuan Zong used to take baths). At the head of his court ladies and hundreds of his officials, he would come to the Huanqing Palace to spend his winter days in October of the Lunar calendar and return to Chang’an City as the year drew to its close. The Nine Dragon Hot Spring was originally built with crystal jade, whose surface was decorated with the carvings of fish, dragons, birds and flowers. In it twin lotus flowers also carved with white jade could be seen as well. The spring water welled from the break of an earthen jar, and spouted up to the lotus flowers. Hence the name Lotus Flower Tang (the Lotus Flower Hot Spring).
The Gui Fei Bathing Pool was where Yang Gui Fei, Emperor Xuan Zong’s favorite lady, used to take bath. It was originally built with white jade, and in its center a blooming flower spouted water like a spring. The pool looked very much like a Chinese flowering crabapple; Hence its name the Chinese Flowering Crabapple Hot Spring or the Lotus Hot Spring..
Lady Yang used to make a stay in this pavilion to see sights or to air her hair after a bath. Therefore, it was named the Hair Airing Pavilion. Whether the sun was rising or setting, the pavilion was aglow with sunshine; hence the name the Flying Roseate Pavilion.
Southwest of the Gui Fei Bathing Pool stands a brick-built pavilion. On its head three big Chinese characters “Xi Jia Lou” (Fine Sunset-Bathed Pavilion)are inscribed according to the model of the most celebrated according to the model of the most celebrated Chinese calligrapher, Yu You Ren, here is the source of the spring water.
At this spa there are four hot springs. They have an hourly flow of 112 tons, and a constant temperature of 43°C. The spring water contains lime, sodium carbonate, sodium sulphate and other minerals, which makes it suitable for bathing and considerable treatment of quite a few diseases such as dermatosis, rheumatism, arthritis and muscular pain. The Fine Sunset-Bathed Pavilion marks the first source of the spring water, which was discovered some 3,000 years ago, roughly in the Western Zhou Dynasty. Its water flow averages 25 tons per hour. Take up the steps east of the source of hot springs, you will gradually see the Five-Room Pavilion where Chiang Kaishek made a temporary stay during the Xi’an Incident.
The Xi’an Incident took place on December 12, 1936, and it is also known as the Double Twelfth Incident. After the Incident of September 18, 1936, the Japanese imperialists seized the three provinces northeast of China, and intensified their invasion of North China. This was the very moment vital to the Chinese nation. Yet Chiang Kaichek persisted doggedly in carrying out his reactionary policy “domestic tranquility is a must for the resistance against Japanese invades,” and commanded the Northeast Army and Northwest Army, respectively headed by Zhang Xueliang and Yang Hucheng, to attack the Shaanxi-Gansu-Ningxia Border Region. Inspired by our Party’s policy “l(fā)et us stop the internal war and unit to resist the Japanese aggressors,” those two generals made to Chiang Kaishek the proposal of forming a united front with the Communist Party for the resistance. Not only did he reject the proposal, but flew to Xi’an to scheme the “suppression of the Communist Party.” And the slaughter of the patriotic youth. Out of patriotism, Zhang and Yang started the famous Xi’an Incident.
Very early on the morning of December 12, 1936 the Incident was impending. Zhang Xueliang, together with Yang Hucheng ordered a squad of bodyguards to surround the Huaqing Pool. They fought a fierce battle there, and wiped out Chiang’s bodyguards in one vigorous effort. The sound of firing came to Chiang Kaishek, and he was so terrified that he crept out of the window with his nightgown and slippers only. What’s more, he hurt his spinal bone, and lost one of his slippers while crossing over the back wall. He staggered up Lishan Mountain, and hid himself behind a stone in the crevice halfway on it. Those brave soldiers began to search the mountain immediately when they rushed into the Five-Room Pavilion to find that Chiang’s hat and clothes were still there and that his quilt remained warm. In the end they found Chiang Kaishek, and thus escorted him to Xi’an.
介紹西安的英文導(dǎo)游詞 14
China has hundreds of ancient city wall, which with the biggest scale of ancient city wall in Beijing, Nanjing and Xian, but Beijing, the ancient city wall of Nanjing has been destroyed or badly damaged, and was founded in the year 1370 of ancient city wall of Xian so far are still intact. Japanese Emperors visit to Xian, put "the eighth wonder of the world," Qin terracotta pit can not, they boarded the 600 years ago Westgate tower built in the, a taste of the ancient city wall majestic appearance. Please follow me to visit the ancient city wall of Xian.
For visitors, these days we have been in the garage or enjoy the sunset in the dawn of the ancient city walls are colorful and ancient deep. Now we come to the foot of the wall, please go to the city wall tour.
Fellow tourists, then the city wall of Xian in the end how much it. Its structure is how? According to estimates, Xian city wall circumference of 11.9 kilometers, the east wall 2590 meters, west wall 2631.2 meters, south wall 3441.6 meters, north wall 3241 meters. Such a scale is relatively rare at home and abroad.
We saw the walls built outside the four guard gates of the town, called the urn. The so-called urn, meaning for the enemy once inside, will be the Barbican wall above the attack from all sides, like bottled up, unable to escape. Wengcheng also built a guard in the town, called the goat horse. Ancient gate Kai has closed the stipulated time, shut the gate after has not been returned to town can be together with holding his sheep, drive the horses into the sheep in Oklahoma City and modern city park area rest, waiting to open the gates to the city. Xian city has been completely destroyed in the late Qing Dynasty in sheep. Remember in 1986 in Xian City Andingmen (Simon) Barbican outside the north about 17.5 meters place found sheep Oklahoma City on the north side of the doorway, 5.5 meters long, 2.4 meters wide. Now we can see the gate Wengcheng lateral repaired sheep Macheng, wall 198 meters long, 9.5 meters high.
介紹西安的英文導(dǎo)游詞 15
Xian is located in the downtown area, rectangular, wall 12 meters high, 18 meters wide at the bottom, top width of 15 meters, 2590 meters long west east wall, south wall wall of 2631.2 meters long, 3441.6 meters long, the north wall is 3241 meters long, the total circumference of 11.9 km. There are four gate: East Gate of Changle, Xian door, South Yongning gate, north of the town, each of the Shing Mun are by the watchtower and the tower.
Xian city wall is the Ming Dynasty the years in policy of Zhu Yuanzhang "high walls, wide accumulate grain, slow the guidance of kings" under, built on the basis of the Tang imperial. Completely around the "defense" strategy system is greater than the thickness of the wall height, solid as a mountain, the top of the wall and practicing sports can. Walls include moat, drawbridge, building gate, watchtower, is buildings, towers, fortresses, parapet, forts and other a series of military facilities. Since the completion of the wall after three major renovations. Longqing two years (1568), Shaanxi provincial governor Zhang Zhi presided over the restoration of Tucheng first into brick city; Qing Emperor Qianlong 46 years (1781), Shaanxi governor, Bi source host on the walls and towers were renovated; since 1983, in Shaanxi Province and Xian Municipal Peoples Government of the city wall the large-scale renovation, construction has been the demolition of the east gate, north gate of the watchtower, on the South Gate building, suspension bridge, and built around the park, so that this ancient building glow in the old style, has become a tourist attraction for visitors in Xian.
介紹西安的英文導(dǎo)游詞 16
Emperor Qin Shihuang’s Mausoleum and the Terra-cotta Warriors and Horses Museum.
Emperor Qin Shihuang (259-210B.C.) had Ying as his surname and Zheng as his given name. He name to the throne of the Qin at age 13, and took the helm of the state at age of 22. By 221 B.C., he had annexed the six rival principalities of Qi, Chu, Yan, Han, Zhao and Wei, and established the first feudal empire in China’s history.
In the year 221 B.C., when he unified the whole country, Ying Zheng styled himself emperor. He named himself Shihuang Di, the first emperor in the hope that his later generations be the second, the third even the one hundredth and thousandth emperors in proper order to carry on the hereditary system. Since then, the supreme feudal rulers of China’s dynasties had continued to call themselves Huang Di, the emperor.
After he had annexed the other six states, Emperor Qin Shihuang abolished the enfeoffment system and adopted the prefecture and county system. He standardized legal codes, written language, track, currencies, weights and measures. To protect against harassment by the Hun aristocrats. Emperor Qin Shihuang ordered the Great Wall be built. All these measures played an active role in eliminating the cause of the state of separation and pision and strengthening the unification of the whole country as well as promotion the development of economy and culture. They had a great and deep influence upon China’s 2,000 year old feudal society.
Emperor Qin Shihuang ordered the books of various schools burned except those of the Qin dynasty’s history and culture, pination and medicines in an attempt to push his feudal autocracy in the ideological field. As a result, China’s ancient classics had been devastated and destroy. Moreover, he once ordered 460 scholars be buried alive. Those events were later called in history“the burning of books and the burying of Confucian scholars.”
Emperor Qin Shihuang，for his own pleasure, conscribed several hundred thousand convicts and went in for large-scale construction and had over seven hundred palaces built in the Guanzhong Plain. These palaces stretched several hundred li and he sought pleasure from one palace to the other. Often nobody knew where he ranging treasures inside the tomb, were enclosed alive.
Emperor Qin Shihuang’s Mausoleum has not yet been excavated. What looks like inside could noly be known when it is opened. However, the three pits of the terra-cotta warriot excavated outside the east gate of the outer enclosure of the necropolis can make one imagine how magnificent and luxurious the structure of Emperor Qin Shihuang’s Mausoleum was.
No.1 Pit was stumbled upon in March 1974 when villagers of Xiyang Village of Yanzhai township, Lintong County, sank a well 1.5km east of the mausoleum. In 1976, No.2 and 3 Pits were found 20m north of No.1 Pit respectively after the drilling survey. The terra-cotta warriors and horses are arrayed according to the Qin dynasty battle formation, symbolizing the troops keeping vigil beside the mausoleum. This discovery aroused much interest both at home and abroad. In 1975, a museum, housing the site of No.1 and covering an area of 16,300 square meters was built with the permission of the State Council. The museum was formally opened to public on Oct.1, the National Day, 1979.
No.1 Pit is 230 meters long from east to west, 62m wide from north to south and 5m deep , covering a total area of 14,260 square meters. It is an earth-and-wood structure in the shape of a tunnel. There are five sloping entrances on the eastern and western sides of the pit respectively. The pit is pided into eleven corridors by ten earthen partition walls, and the floors are paved with bricks. Thick rafters were placed onto the walls (but now one can only see their remains), which were covered with mats and then fine soil and earth. The battle formation of the Qin dynasty, facing east. In the east end are arrayed three lines of terra-cotta warriors, 70 pieces in each, totaling 210 pieces. They are supposed to be the van of the formation. Immediately behind them are 38 columns of infantrymen alternating with war chariots in the corridors, each being 180m long. They are probably the main body of the formation. There is one line of warriors in the left, right and west ends respectively, facing outwards. They are probably the flanks and the rear. There are altogether 27 trial trench, it is assumed that more than 6,000 clay warriors and horses could be unearthed from No.1 Pit.
No.2 Pit sis about half the size of No.1 Pit, covering about 6,000 square meters Trail diggings show this is a composite formation of infantry, cavalry and chariot soldiers, from which roughly over 1,000 clay warriors, and 500 chariots and saddled horses could be unearthed. The 2,000-year-old wooden chariots are already rotten. But their shafts, cross yokes, and wheels, etc. left clear impressions on the earth bed. The copper parts of the chariots still remain. Each chariot is pulled by four horses which are one and half meters high and two metres long. According to textual research, these clay horses were sculptures after the breed in the area of Hexi Corridor. The horses for the cavalrymen were already saddled, but with no stirups.No.3 Pit covers an area of 520m2 with only four horses, one chariot and 68 warriors, supposed to be the command post of the battle formation. Now, No.2 and 3 Pits have been refilled, but visitors can see some clay figures and weapons displayed in the exhibition halls in the museum that had been unearthed from these two pits. The floors of both No.1 and 2 Pits were covered with a layer of silt of 15 to 20cm thick. In these pits, one can see traces of burnt beams everywhere, some relics which were mostly broken. Analysis shows that the pits were burned down by Xiang Yu, leader of a peasant army. All of the clay warriors in the three pits held real weapons in their hands and face east, showing Emperor Qin Shihuang’s strong determination of wiping out the six states and unifying the whole country.
The height of the terra-cotta warriors varies from 1.78m, the shortest, to 1.97m, the tallest. They look healthy and strong and have different facial expressions. Probably they were sculpted by craftsmen according to real soldiers of the Qin dynasy. They organically combined the skills of round engraving, bas-relief and linear engraving, and utilized the six traditional folk crafts of sculpturing, such as hand-moulding, sticking, cutting, painting and so on. The clay models were then put in kilns, baked and colour-painted. As the terra-cotta figures have beeb burnt and have gone through the natural process of decay, we can’t see their original gorgeous colours. However, most of the terra-cotta figures bear the trace of the original colours, and few of them are still as bright as new. They are found to be painted by mineral dyestuffs of vermilion, bright red, pink dark green, powder green, purple, blue, orange, black and white colours.
Thousands of real weapons were unearthed from these terra-cotta army pits, including broad knives, swords, spears, dagger-axes, halberds, bows, crossbows and arrowheads. These weapons were exquisitely made. Some of theme are still very sharp, analyses show that they are made of alloys of copper and tin, containing more than ten kinds of other metals. Since their surfaces were treated with chromium, they are as bright as new, though buried underground for more than 2,000 years. This indicates that Qin dynasty’s metallurgical technology and weapon-manufacturing technique already reached quite a high level.In December 1980, two teams of large painted bronze chariots and horses were unearthed 20 metres west of the mound of Emperor Qin Shihuang’s Mausoleum. These single shaft four-horse chariots each comprises 3,462 spare parts, and has a body with two compartments, one behind the other, and an elliptical umbrella like canopy. The four horses harnessed to the chariot are 65-67 centimeters tall. The restored bronze chariots and horses are exact imitations of true chariot, horse and driver in half life-size.
The chariots and horses are decorated with coloured drawings against white background. They have been fitted with more than 1,500 piecese of gold and silvers and decorations, looking luxurious, splendid and graceful. Probably they were meant for the use of Emperor Qin Shihuang’s soul to go on inspection. The bronze chariots and horses were made by lost wax casting, which shows a high level of technology. For instance, the tortoise-shell-like canopy is about 4mm thick, and the window is only 1mm thick on which are many small holes for ventilation. According to a preliminary study, the technology of manufacturing the bronze chariots and horses has involved casting, welding, reveting, inlaying embedding and chiseling. The excavation of the bronze chariots and horses provides extremely valuable material and data for the textual research of the metallurgical technique, the mechanism of the chariot and technological modeling of the Qin dynasty.
No.2 bronze chariot and horses now on display were found broken into 1,555 pieces when excavated. After two-and-half years’ careful and painstaking restoration by archaeologists and various specialists, they were formally exhibited in the museum on October 1, 1983. No.1 bronze chariot hand horses are on display from 1988.
介紹西安的英文導(dǎo)游詞 17
Hi, Im lee, take you to visit the Terra Cotta Warriors today?
Behind me is a vaulted hall, this is a famous scenic spots and historical sites. What places of interest you guess what it is? It is known as "the eighth wonder of the world" terracotta warriors.
The Terra Cotta Warriors in mount li, lintong county, shaanxi province in China under the north river near the village. Now explore three pit. We have come to is one of the biggest, the Terra Cotta Warriors pit pit no. 1. You can put these down. Oh, you are alone, Ill help you take pictures with the Terra Cotta Warriors in the background. To come. One, two, three eggplant!
Lets visit the qin shihuangs mausoleum. Adults, please take your children. At the same time, also please mind your own hand, do not litter. Move down inside, we see this is the qin shihuangs mausoleum, it is imitation built the palace of the emperor used to live. The qinshihuang in north and south long, the width of a rectangle. The whole cemetery, surrounded with two walls in "back to" glyph. The magical thing about this is it.
We have come to is about the position of the underground. Because buried deep underground, and plus there are crossbow authority, so we cant go to visit. According to "historical records" records, however, the underground to depict the sun, the moon and the stars on the ceiling, and artificial earth, the earth has a mountain, flowers and plants, and rivers. The river is made of mercury, glittering, extremely beautiful.
Everybody, the tour is over. You must be very happy, right? Everyone had so happy, hope you can remember me.
介紹西安的英文導(dǎo)游詞 18
Huashan is located in the Qinling Mountain Range, which lies in southern Shaanxi province.
Huashan （Hua means brilliant, Chinese, or flowery; shan means mountain） is one of the five sacred Taoist mountains in China. Huashan boasts a lot of religious sites: Taoist temples, pavilions, and engraved scriptures are scattered over the mountain.
Hua Mountain is well-known for its sheer cliffs and plunging ravines. It is known as “the most precipitous mountain under heaven” and is probably the most dangerous mountain in the world frequented by hikers.
Hua Mountain is located 120 kilometers east of Xian, about 3 hours from the city centre. There are five peaks that make up the mountain: Cloud Terrace Peak （North Peak, 1613m）， Jade Maiden Peak （Middle Peak, 2042m）， Sunrise Peak （East Peak, 2100m）， Lotus Peak （West Peak, 2038m） and Landing Wild Goose Peak （South Peak, 2160m）. North Peak, the lowest of the five, is the starting point. It has three ways up it: the six kilometer winding track from Huashan village, the cable car or the path beneath it.
Next on the route is Jade Maiden Peak. Legend has it that a jade maiden was once seen riding a white horse among the mountains, hence the name. The hikers can choose to take a left to Sunrise Peak, a fine place to enjoy the view of the sunrise in early morning （which would involve climbing the mountain in the dark as there is nowhere to stay on the mountain）.
Alternatively visitors could take a right to Lotus Peak. Huashan means Flower Mountain, and it got the name from Lotus Peak, which resembles a beautifully blooming lotus flower. Finally there is a gondola wich takes visitors acroa steep valley to Landing Wild Goose Peak, the highest among the five summits. The path to the summit is characterized by steep rock faces, with obstacles including a foot-wide plank walkway fixed to a sheer rock face with only a chain along the rock for support. The route continues with footholds in the rock and a chain for holding. This is followed by a vertical ladder in a cleft in the rock. Finally there are steep stone steps. The South Peak is not for the faint of heart and is particularly dangerous in winter weather. However, the views are breathtaking. The climb to its summit makes it clear how the impenetrable mountain repelled attackers over the centuries.
As early as the second century BCE, there was a Daoist temple known as the Shrine of the Western Peak located at its base. Daoists believed that in the mountain lives a god of the underworld. The temple at the foot of the mountain was often used for spirits mediums to contact the god and his underlings. Unlike Taishan, which became a popular place of pilgrimage, Huashan only received local pilgrms, and was not well known in much of the rest of China. Huashan was also an important place for immortality seekers, as powerful drugs were reputed to be found there. Kou Qianzhi （365-448）， the founder of the Northern Celestial Masters received revelations there, as did Chen Tuan （920-989）， who lived on the mountain prior to receiving immortality. In the 1230s, all the temples on the mountain came under control of the Daoist Quanzhen School. In 1998, the management committee of Huashan agreed to turn over most of the mountains temples to the China Daoist Association. This was done to help protect the environment, as the presence of monks and nuns deters poachers and loggers.
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